How The Handmaid’s Story Conquered The Catwalk

 How The Handmaid’s Story Conquered The Catwalk

The Emmy-winning TV adaptation of Margaret Atwood’s dystopian novel has made its presence felt on the spring/summer season 2018 catwalks. Vogue discovers how The Handmaid’s Story went excessive vogue.
When Margaret Atwood penned The Handmaid’s Story, the very last thing she might need anticipated is a flurry of sartorial tributes. However because of resurgent curiosity within the novel, sparked by a success TV adaptation starring Elisabeth Moss, the characters Atwood created have now stepped off the web page and stomped onto the spring/summer season 2018 catwalks.
Few may have predicted how poignant the novel would really feel thirty years on. Printed in 1985, on the top of America’s Reagan period puritanism, it presents a dystopian future the place girls are denied reproductive rights and compelled to breed for the state’s ruling commanders. In an unsure political local weather, with Donald Trump within the White Home, the Harvey Weinstein scandal unfolding in Hollywood and girls all over the world talking out towards sexual assault within the #MeToo marketing campaign, Atwood’s narrative has misplaced none of its efficiency.
The facility of the costume lies in its unsettling dichotomy – it’s each demure and ominous
The modern parallels got here into sharp focus in Might, a month after the TV sequence premiered within the US, when activists in Texas donned the crimson robes and bonnets of the handmaids to protest towards anti-abortion laws. Their battlecry was echoed throughout the nation: girls in Missouri wore the identical habits to a debate on limiting reproductive well being funding; demonstrators in crimson cloaks crowded right into a statehouse in Ohio to protest a invoice criminalising abortion; and in Washington DC, supporters of Deliberate Parenthood stood outdoors the Capitol, their heads bowed and their faces obscured by stark white bonnets. Even of their silence, the costumes spoke volumes in regards to the continued subjugation of girls.
“The lack of any private freedom, the worry of retribution, the cruelty of forcing girls to be so stratified and categorized‎, and most of all having to obliterate their pasts and their identities is one thing so profoundly troubling,” wrote Vera Wang, in a press release forward of her spring/summer season 2018 presentation. She had learn The Handmaid's Story, binge-watched the present and adopted the information protection over the summer season. Her response was a set of glossy skirt fits and floor-length robes that wouldn’t look misplaced in Atwood’s fictional Gilead. As an alternative of a crimson and white color palette, Wang selected inky-black silks and subdued gray checks, however the hats have been a direct reference to her supply materials – some fashions wore neat little caps and others had on outsized bonnets that hid their faces fully.
As with the costumes of the protestors, the ability of Wang’s assortment lies in its unsettling dichotomy. It’s each demure and one way or the other ominous; a silent menace to the patriarchal world order. Regardless of the trailing sleeves and conservative necklines, the main points have been eerily seductive: jackets slipped off the shoulders, corsets have been uncovered beneath skinny layers of tulle and garter belts have been slung over tailor-made trousers. The heavy cloaks and stiff bonnets not felt oppressive – now they seemed like armour.
At Preen, the stress between conservatism and sexuality was extra overt. Designers Thea Bregazzi and Justin Thornton created crisp white shirt clothes and crimson lace frocks that evoked The Handmaid’s Story and Nathaniel Hawthorne’s 1850 novel The Scarlet Letter. Fashions wore linen pilgrim hats and asymmetrical robes, slashed to disclose delicate silk camisoles and sheer underskirts.
For Bregazzi and Thornton, the gathering was each private and political – a commentary on the form of future they needed for his or her two younger daughters. “We’re dwelling in an anarchical time when individuals have misplaced religion in leaders and society,” Thornton instructed Vogue’s Anders Christian Madsen. “We wish girls to deconstruct their very own femininity and reconstruct it to allow them to be no matter they need.”
Preen and Vera Wang additionally took cues from an earlier assortment by Vaquera, the buzzy New York model that collaborated with Hulu on a Handmaid’s Story-inspired present in June. Uncovered lingerie and inflated bonnets have been a part of a theatrical presentation that included a cameo from the present’s costume designer Ane Crabtree. She walked the runway in an utilitarian crimson jumpsuit and wore an ear tag similar to those the handmaids put on within the TV adaptation.
Quick ahead to the spring/summer season 2018 exhibits, nonetheless, and the references develop into extra diluted, chiming with vogue’s new conservative temper. There have been starched white pilgrim collars at Paul & Joe, droopy denim bonnets at Kenzo Memento and billowing crimson robes at A.W.A.Ok.E. At Emilia Wickstead, ankle-skimming robes got here with excessive necklines and voluminous sleeves, whereas at The Row fashions stepped out sporting fluid column clothes that swept to the ground, rendered in pure white silk and shiny crimson gauze.
It's straightforward to see why vogue has fallen for The Handmaid’s Story. These evocative crimson robes all the time strike a nerve, whether or not you see them on TV, on the catwalk, or at protests on the streets of our cities. They’re emblems of oppression that girls have subverted and claimed for themselves. Because the narrator, Offred, says within the ultimate episode of the present, "They need to by no means have given us uniforms in the event that they didn’t need us to be a military."
Browse the perfect Handmaid's Story-inspired seems from the spring/summer season 2018 exhibits under.

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